英格丽·褒曼是支撑起这部电影的最大亮点，剧情在针对爱情中的背叛和夫妻间的诚实话题上刻画得颇有建树，特别是在动机得设计上足以称得上悬疑片。

英格丽·褒曼是支撑起这部电影的最大亮点，剧情在针对爱情中的背叛和夫妻间的诚实话题上刻画得颇有建树，特别是在动机得设计上足以称得上悬疑片。

Unrest is the final part of a multidisciplinary trilogy (performances, films, installations) with the central theme of worry. The bodies of dancers Nathalie Remadi and Lilas Nagoya reconnects with the haunted aesthetic of La vie nouvelle in a frantic, sombre experience.

Unrest is the final part of a multidisciplinary trilogy (performances, films, installations) with the central theme of worry. The bodies of dancers Nathalie Remadi and Lilas Nagoya reconnects with the haunted aesthetic of La vie nouvelle in a frantic, sombre experience.

实验性的叙事手法，奥利维拉缝织了三个故事，构成了一个强烈互文的结构。该片属于理性电影的范畴，探讨了生死的平衡和自我扬弃的神秘。 他重塑了摄影棚的概念 戏剧时空的引用

实验性的叙事手法，奥利维拉缝织了三个故事，构成了一个强烈互文的结构。该片属于理性电影的范畴，探讨了生死的平衡和自我扬弃的神秘。 他重塑了摄影棚的概念 戏剧时空的引用

Mía va a pedir trabajo como fotógrafa al estudio de Vic el mismo día que su pareja Ana le ha abandonado. Vic le propone a Mía que ocupe su puesto porque él decide irse para no volver en “mil días”. cuenta pequeñas historias de amor y desamor, en círculos concéntricos de espacio y tiempo, de diferentes personajes que transcurren en una ciudad de occidente en el siglo XXI durante estos mil días. 　　Mia is going to ask for a job as a photographer at Vic' studio the same day his girlfriend Ana leaves him. Vic proposes Mia to take his job because he has decided to go away for “one thousand days”. Circuit tells the stories of love and lack of affection, in concentric circles of space and time, of different characters which take place in an occidental city in the 21st century, during these thousand days.

Mía va a pedir trabajo como fotógrafa al estudio de Vic el mismo día que su pareja Ana le ha abandonado. Vic le propone a Mía que ocupe su puesto porque él decide irse para no volver en “mil días”. cuenta pequeñas historias de amor y desamor, en círculos concéntricos de espacio y tiempo, de diferentes personajes que transcurren en una ciudad de occidente en el siglo XXI durante estos mil días. 　　Mia is going to ask for a job as a photographer at Vic' studio the same day his girlfriend Ana leaves him. Vic proposes Mia to take his job because he has decided to go away for “one thousand days”. Circuit tells the stories of love and lack of affection, in concentric circles of space and time, of different characters which take place in an occidental city in the 21st century, during these thousand days.

BBC“电视史上的里程碑”，当代艺术历史最具雄心壮志的纪录片拍摄工作，由著名艺术历史学家克拉克爵士担任编剧与主持，探讨西欧文明，而爵士更在本片中界定了人类文明发展中的几个重要阶段。《文明的轨迹》历时两年才拍摄完毕，剧组跨越13个国家，曾走访百多个城市拍摄，本纪录片首年播出时更被喻为电视史上的代表作。克拉克爵士引人入胜的对白，再加上欧洲地标动人画面，带领我们探索自罗马帝国沦亡至工业革命用其后的文明发展。这种通过艺术、音乐来呈现历史观点的做法，成为日后无数纪录片看齐并努力超越的基准。 　　"Kenneth Clark's sumptuous,magisterial,one-man servey of the achievements of bumanistic civilisation is a TV landmark" The daily mail 　　In 1966 BBC Television embarked on its most ambitious documentary series to date.The eminent art historian Lord Clark was commissioned to write and present an epic examination of Western Eyuopean culture,defining what he considered to be the crucial phases of its development.Civilisation:A personal View by Lord Clark would be more than two years in the making,with filming in over 100 locations across 13 countries.The lavish series was hailed as a masterpiece when it was first transmitted in 1969. 　　From the fall of the Roman Empire to the Industrial Revolution and beyond,Clark's compelling narrative is accompanied by breathtaking colour photography of Europe's grearest landmarks.This "history of ideas as illustrated by art and music'remains the benchmark for the numerous programmes it inpired. 　　特别收录 Special Feature 　　大卫·艾登堡禄爵士回忆《文明的轨迹》制作过程 Sir David Attenborough remembers the making of Civilisation 　　剧相馆 Photo gallery of behind-the-scenes stills

BBC“电视史上的里程碑”，当代艺术历史最具雄心壮志的纪录片拍摄工作，由著名艺术历史学家克拉克爵士担任编剧与主持，探讨西欧文明，而爵士更在本片中界定了人类文明发展中的几个重要阶段。《文明的轨迹》历时两年才拍摄完毕，剧组跨越13个国家，曾走访百多个城市拍摄，本纪录片首年播出时更被喻为电视史上的代表作。克拉克爵士引人入胜的对白，再加上欧洲地标动人画面，带领我们探索自罗马帝国沦亡至工业革命用其后的文明发展。这种通过艺术、音乐来呈现历史观点的做法，成为日后无数纪录片看齐并努力超越的基准。 　　"Kenneth Clark's sumptuous,magisterial,one-man servey of the achievements of bumanistic civilisation is a TV landmark" The daily mail 　　In 1966 BBC Television embarked on its most ambitious documentary series to date.The eminent art historian Lord Clark was commissioned to write and present an epic examination of Western Eyuopean culture,defining what he considered to be the crucial phases of its development.Civilisation:A personal View by Lord Clark would be more than two years in the making,with filming in over 100 locations across 13 countries.The lavish series was hailed as a masterpiece when it was first transmitted in 1969. 　　From the fall of the Roman Empire to the Industrial Revolution and beyond,Clark's compelling narrative is accompanied by breathtaking colour photography of Europe's grearest landmarks.This "history of ideas as illustrated by art and music'remains the benchmark for the numerous programmes it inpired. 　　特别收录 Special Feature 　　大卫·艾登堡禄爵士回忆《文明的轨迹》制作过程 Sir David Attenborough remembers the making of Civilisation 　　剧相馆 Photo gallery of behind-the-scenes stills